Junk Yard Art

When the early Spanish and Mexican colonists came to settle Texas, they brought with them a rich culture which enabled them to settle and build a civilization in a wild land. The broad intracultural diversity of these settlers from different parts of Mexico and Spain are nowhere more evident in Texas than in the material culture--folk art, folk craft, architecture--which is part of our Spanish-Mexican legacy in Texas. Hecho en Tejas, the first book-length publication to focus on Texas-Mexican material culture, shows the richness of Tejano folk arts and crafts traditions through essays on Hispanic folk art in San Antonio in the home and yard, and on the street; through quilting traditions; through the vaqueros' traditions of weaving horsehair ropes and plaiting rawhide for quirts and bridles, and making of saddles; making of paper flowers as coronas para los muertos--primarily for decorating graves; making of ceramic figures for religious and secular use; the making of stringed instruments; the making of pinatas; religious folk art and yard art, grutas, roadside crosses, as well as religious matachines dance traditions; jacales as a form of folk house, and the built-environment of a Texas-Mexican ranch. A bibliography of Texas Mexican Material Culture is included.

"In the beginning, there was the Word. On the streets and in the yards, the word was the Name. And the name was everything. It was persona and place, form and content, truth and fiction. The name was an act of self-invention, a pure visual manifestation, through alter ego, alias, and nom de plume, of personal expressions in the public realm. The name was a line and the line begat the Mark. Then, in the great style wars toward the end of the second millennium, medium, meaning, and message were joined in a golden era where the name became the source and signifier of Style. And when the name became wild style, the word was Dondi."-- from the ForewordThe dominance of the graffiti aesthetic in contemporary culture is undeniable. But how did an art form spawned in the train yards of 1970s New York achieve the ubiquity it now enjoys at every level of the mass-media landscape? There are many answers to the question, but one major factor is indisputable: Dondi White.Coming of age in hardscrabble East New York in the early 1970s, Dondi White unknowingly began the process of introducing a whole new artistic dialect into the cacophony of the American art scene. His train pieces painted from roughly 1977 to 1982 stand as some of the most influential works ever committed to Transit Authority steel. Writing with legendary partners such as DURO, NOC 167, KID 56, KEL 139, and FUZZ ONE, Dondi created some of graffiti art's most enduring iconography. His pieces just don't stop -- and neither do the aliases. From the badass Mr. Whites to the cocky, self-satisfied Busses, from the nasty Pres to the perfect, vicious Rolls, Dondi straight killed it, again and again. Works like "Children of the Grave Part 2and "Mr White + Bev remain benchmark pieces for graffiti aficionados the world over.In the 1980s, partially through his collaborations with noted photographers Henry Chalfant and Martha Cooper, Dondi White's work entered the rarefied world of fine art.

Green Monster (car) - The Green Monster was the name of several vehicles built by Art Arfons who was often described as a "junk yard genius", and his half brother Walt Arfons. They were initially Dragsters, at first powered by junked automobile engines, then by war surplus piston aircraft engines (Ranger and Allison V-1710), which were plentiful, durable, and cheap, then by jet aircraft engines.

Kettle's Yard - Kettle's Yard is an art gallery and house in Cambridge, England.

Yart - First coined in Minneapolis, Minnesota sometime in the 2002-2003 timeframe, yart is a portmanteau of yard and art, designating particularly tacky, but nevertheless grassroots, folksy yard decorations.

Art for art's sake - "Art for art's sake" is the usual English rendition of a French slogan, 'l'art pour l'art', which is credited to Théophile Gautier (1811–1872).

junkyardart

Art Garden Junk - Art Garden Junk Marvelous Mosaics for Home & Garden The possibilities are unlimited art garden junk and the crafting is simple art garden junk and fun! Expand your vision of mosaics, art garden junk and choose from a range of extraordinary techniques art garden junk and materials for making 20 exceptional decorative items. With a little creativity, such junk as broken china--and other inexpensive yet glittering supplies--can make beautiful pieces for your home art garden junk and garden. Use silicone ...

Junk Yard Dog Salvage - Junk Yard Dog Salvage Wrecking yard - A wrecking yard, or auto salvage yard, more commonly known as junkyard, is the location of an auto dismantling business where wrecked or decomissioned vehicles (most commonly automobiles, but junkyards for motorcycles, bycicles, small planes and boats exist too) are brought, their usable parts are sold for use in operating vehicles, while the unusable metal parts, known as scrap metal parts are sold to metal recycling companies. Dog Eat Dog - Dog eat dog is an ...

Salvage Junk Yard - Salvage Junk Yard Wrecking yard - A wrecking yard, or auto salvage yard, more commonly known as junkyard, is the location of an auto dismantling business where wrecked or decomissioned vehicles (most commonly automobiles, but junkyards for motorcycles, bycicles, small planes and boats exist too) are brought, their usable parts are sold for use in operating vehicles, while the unusable metal parts, known as scrap metal parts are sold to metal recycling companies. Green Monster (car) - The Green Monster was the name ...

Car Junk Part Used Yard - Car Junk Part Used Yard Green Monster (car) - The Green Monster was the name of several vehicles built by Art Arfons who was often described as a "junk yard genius", and his half brother Walt Arfons. They were initially Dragsters, at first powered by junked automobile engines, then by war surplus piston aircraft engines (Ranger and Allison V-1710), which were plentiful, durable, and cheap, then by jet aircraft engines. National Motor Museum - ... in 1952 by Edward John Barrington Douglas-Scott- ...

Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. Will Margaret be able to save her uncles' masterpiece? All rights reserved. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. Will Margaret be able to save her uncles' masterpiece? Will Margaret be able to save her uncles' masterpiece? All rights reserved. All rights reserved. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. All rights reserved. For personal use only. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the neighborhood as a collection of junk, but Margaret sees it as her uncles do--as a wonderful work of art. Built of scrap metal, shards of glass, and porcelain, the Tower is seen by most of the junk yard art.