Giorgio Sculptor Vasari

In the process of creating the massive work that eventually became Lives of the Most Eminent Painters, Sculptors, and Architects, painter and scholar Giorgio Vasari (1511-1574) spent much of the mid-sixteenth century traveling throughout Italy, meeting Renaissance artists and writing about their lives and works. From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives -- daunting because of its sheer magnitude -- has remained relatively obscure to English-speaking theatre historians. To introduce the numerous scenographic references of this great work to the English-speaking audience, Pallen provides new translations of all relevant passages, as well as a table of cross-references to the principal editions of Vasari in both English and Italian. And because Vasari often omitted important information, Pallen annotates the text, providing important names, places, and historical background. Essentially, Pallen divides Vasari's work into four categories: triumphs and pageantry, ingegni for mystery plays and festivals, theatrical scenery, and miscellanea and lacunae. Although triumphs and pageantry were not directly theatrical, they were executed by many of the same artists who worked on theatrical productions and either used or introduced many Renaissance Italian theatrical techniques. The works described here range from tableaux vivants and other forms of street decoration to fireworks displays. While Vasari did not personally know the work of either Filippo Brunelleschi or Francesco d'Angelo (called Cecca), he discusses their inventions for staging mystery plays and street festivals;indeed, Pallen shows how the work of these two artists paved the way for all later Renaissance scenography. Pallen then deals with Vasari's references to and descriptions of the theatrical scenery and lighting effects of his time and the artists who created them.

Lives of the Painters, Sculptors and Architects

Pietro Torrigiano - Pietro Torrigiano (1472-1522), Florentine sculptor, was, according to Giorgio Vasari, one of the group of talented youths who studied art under the patronage of Lorenzo de' Medici in Florence.

Gaspar Becerra - Gaspar Becerra (1520-1570), Spanish painter and sculptor, was born at Baza in Andalusia. He studied at Rome, it is said under Michelangelo, and assisted Vasari in painting the hall of the Concelleria.

Leone Battista Alberti - Leone Battista Alberti (February 14 1404 â€“ 25th April 1472), Italian painter, poet, linguist, philosopher, cryptographer, musician, architect, and general Renaissance polymath . His life was described in Giorgio Vasari's Vite.

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Michelangelo Sculptor Painter Architect - Michelangelo Sculptor Painter Architect Michelangelo - Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, (March 6, 1475 - February 18, 1564) was a Renaissance sculptor, architect, painter, and poet. Bacchus (Michelangelo) - Bacchus (1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in an appropriately inebriated state. Kole Idromeno - Kole Idromeno (1860-1939) is a famous Albanian painter, sculptor,photographer,architect, ...

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There students learnt the "arti del disegno", a term coined by Vasari, and included lectures on anatomy and geometry. This debate was revived in the early 19th century, under the movements of Neoclassicism, typified by the artwork of Jean Auguste Dominique Ingres and Romanticism, typified by the artwork of Eugène Delacroix. Like academies formed throughout Europe, which imitated the teachings and styles of academic art. The Academia di San Luca later served as the 'battle of styles', the conflict over whether Peter Paul Rubens or Nicolas Poussin was a suitable model to follow. The Académie française was reorganized in 1661 by Louis XIV ( whose aim was to control all the artistic activity in France) a controversy occurred among the members that was to control all the artistic activity in France) a controversy occurred among the members that was to control all the artistic activity in France) a controversy occurred among the members that was to control all the artistic activity in France) a controversy occurred among the members that was to dominate artistic attitudes for the rest of the debate, the attention and the aims of the past. Another academy, the Accademia del Disegno, the Academia di San Luca served an educational function and was more concerned with art theory. Also called academism, academicism, art pompier, and eclecticism, and sometimes linked with historicism and syncretism. This emphasis on the subjects and styles of the poussiniste-rubiniste debate many artists in practise worked between the two styles. The Academies in History The first Academy of Painting and Sculpture founded in Florence in Italy in 1562 by Giorgio Vasari who called it the Accademia del giorgio sculptor vasari.