Foam Sculpture

The most up-to-date and detailed exploration of China's magnificent sculptural heritage is presented in a stunning book that is both accessible to the general reader and revelatory for the scholar. Sculpture is becoming known as one of China's great arts. Neolithic figurines, rows upon rows of underground terra-cotta statues, exquisite bronzes, Buddhas carved in cave walls--all these are part of a vast sculptural heritage. This gorgeous book, written by a team of eminent international scholars, is the first to offer a comprehensive history of Chinese sculpture. Spanning some seven thousand years, Chinese Sculpture explores a beautiful and diverse world of objects, many of which have come to light in recent decades. The authors analyze and present, mostly in color, some five hundred examples of Chinese sculpture, dividing China'srich and complex sculptural legacy into two parts--secular (tomb and mortuary art) and religious (Buddhist, Confucianist, and Daoist art). Throughout, the authors highlight the inventiveness, purposes, and brilliant execution of Chinese sculpture and comment on how the country's culture nurtured the practical and intellectual choices that shaped its sculptural traditions over the millennia.

In the modern period, sculpture has often been viewed as more limited, more literal, and also more primitive than the "leading" visual art: painting. But precisely because of its marginal status, Alex Potts points out in this stimulating and original book, sculpture has played a complex and intriguing role in modern ideas and fantasies surrounding visual art. Potts explores the special qualities of sculpture as a free-standing three-dimensional entity, and he considers the distinctive demands sculpture places on the viewer. The book begins in the late eighteenth century, when a systematic formal distinction began to be made between painting and sculpture. Following changing attitudes toward sculpture through the nineteenth and twentieth centuries, Potts analyzes for the first time the radical transformation that has occurred not only in the nature of sculptural works but also in their display and reception. He focuses on a broad range of texts by major writers who have in some way been obsessed by sculpture and by such artist-theorists as Adolf Hildebrand and Donald Judd. The author also offers a detailed view of selected iconic works by key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it placed the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art.

Roman sculpture - Roman sculpture refers to the sculpture of Ancient Rome. Roman sculpture often involved copying of Ancient Greek sculpture.

Sound sculpture - Sound sculpture is one term for the multimedia artform where, as the name suggests, sculpture produces sound or, less often, the reverse. Most often sound sculpture artists were primarily either visual artists or composers, not having started out directly making sound sculpture.

Metal foam - A metal foam is a cellular structure consisting of a solid metal - frequently aluminium - containing a large volume fraction of gas-filled pores. The pores can be sealed (in which case the foam is called a closed-cell foam), or they can form an interconnected network (in which case is known as an open-cell foam).

Snow sculpture - Snow sculpture is a sculpture form comparable to sand sculpture or ice sculpture in that most of it is now practiced outdoors, and often in full view of spectators, thus giving it kinship to performance art in the eyes of some. The materials and the tools differ widely, but often include hand tools such as shovels, hatchets, and saws.

foamsculpture

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